Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Friday, March 7, 2014

Leo and the Nightmares

The Sleeping Gypsy, 1897, by Henri Rousseau

Pippa finished the jig with a flourish and raised her bow in the air.  Its tip tapped the dingy rafter above her, and she hastily lowered it.  But she smiled and bowed, along with Rosalind and Leo, as the audience clapped and whistled.  "Thank you!  Thank you!" Pippa called out, flushed with the thrill of a well-played set.  She caught a meaningful glance from Leo.  "And good night!"

"What, already?"  The landlord stepped forward as the performers filed off the stage.  "'Taint even midnight.  They was just gettin' warmed up."

Leo brushed past the man, latching his lute case.  Rosalind stopped, smoothing a stray lock of blond hair behind her ear.  "Sorry, sir.  Band policy."

"But . . ."

Rosalind shrugged, taking her flute apart.  The landlord stepped back on the stage, facing the already grumbling crowd.  "One more round of applause for Leo and the Nightmares!  And anyone for one more round?"  A stale bun bounced off the wall behind him, and he quickly stepped down.

"It's all for the best, sir."  Pippa settled her fiddle and stood up.  "You really want this rabble here all night?  Turn 'em out and get yourself some sleep."

The landlord sighed.  "Very well.  Meg'll show you to your room."

"Thank you kindly, but we can't take one of your fine rooms.  Save them for your paying guests," Rosalind said.

"But that's what's done!  I give you room and board, you play your tunes and attract custom."

"It's all right, we'll take coin instead," said Rosalind.

"And breakfast," added Pippa.

The landlord buried his face in his hands, his business model overturned by some upstart young minstrels.  Thinking of a loophole, he looked up, but they were gone.

Pippa and Rosalind scurried to the stable and ducked into an empty stall.

"Whew," said Rosalind, pulling off her boots.  "I thought he'd never let us go."

Pippa buried her fiddle case in the manger, and sneezed.  "Unlike old Count Droopy-Jowls, who couldn't wait for us to leave."

"I think we've improved a lot since then."  Rosalind folded her dress and placed it in a clean corner.  "If we played for the Count again, he wouldn't even recognize us."

"Except for the name he gave us."  Pippa sneezed again.  She selected a comb from the tack wall and blew out the lantern before dashing back to the stall and undressing herself.  "Do you think he'd remove the curse?"

Rosalind untied her braid and shook out her hair.  She shrugged, stretched, and whinnied.  Pippa had seen her sister's body transform into a beautiful palomino every night for months, but she still wondered:  Why does she go first?

After another sneeze, Pippa had completed her own transformation.  She was able to understand Rosalind again.

"--not so bad, really," Rosalind was saying.

"There are advantages," Pippa agreed, and took a deep breath through her enlarged nostrils.  "It cures my hay fever, every night."  She kicked the comb toward Rosalind's head.  "And I can grow my own bow-hair.  Would you mind combing the loose hairs from my tail?"

"I think I have some, too," Rosalind nickered before grasping the comb with her teeth.

"I think we could use this more to our advantage, though."  Pippa pawed at the floor as Rosalind combed her.  "We could travel so much faster if we went at night, as horses.  Then we could play in more towns, get paid more often.  Why won't Leo let us?"

Rosalind dropped the comb.  "It's hard on him, being the big brother and the only one who doesn't change."

"We're strong enough to carry the bags and Leo.  He hardly touches his food anymore.  He can't be that heavy."

"Leo needs his beauty sleep."  Rosalind snorted.  "And so do I."

Pippa combed Rosalind's tail next, and could tell her sister was dropping off to sleep.  But when she set the comb aside, full of useful hairs, Pippa felt wide awake.  And curious.  Where did Leo spend the nights, anyway?  He wouldn't take a room in any inn, and he never came to the stables with the girls.  She decided to take a trot around the village.

Pippa searched high and low, but didn't see any sign of her brother in the village.  She checked the surrounding fields, stopping for the occasional mouthful of clover, then decided to venture into the wilds.  The full moon cast plenty of light, enough to show that her brother was nowhere to be found.

The moon was sinking, and Pippa's eyes were growing bleary, when she finally spotted a figure on the ground.  The moonlight threw the man's face into shadow, but glinted off the strings of a lute.  It had to be Leo.  She studied him for a moment.  It might be nice, sleeping out here under the stars.  He certainly looked peaceful enough.  Did he just need some alone time, away from greedy landlords and drunken villagers and nightmarish sisters?

Pippa was about to wake Leo and ask, then remembered that he wouldn't understand a word she said.  Dawn was coming soon, and with it, her re-transformation; she should return to the stable.  But something caught her eye as she turned away, and she froze, one hoof in the air.

An enormous lion padded out from behind a boulder.  His sleek mane shone in the moonlight, but blood stained his chin.  The lion strode silently, straight to Leo's sleeping form.

"Neigh!"

Pippa couldn't help it.  She screamed, her horse-voice full of terror.  The lion lifted his head, looking at her with sorrowful eyes.  Pippa wheeled about and galloped back to the inn.

The lion sighed.  He had tried so hard not to frighten anyone. 

He reached across the still body and strummed the lute strings with one great claw.  He couldn't really play it, though, not like this.  Which was probably the worst part of the Count's curse.  Leo stretched his four legs and settled down, hoping for a catnap before the dawn came, when he would reinhabit his human body.

Then, it seemed, he'd have to do some explaining to his sisters.

Thursday, June 13, 2013

Chamber Music

© Charleston Trust Photograph by Axel Hesslenberg

She thought she would wilt
when the parlor door shut.
Perched on a sticky folding chair,
she fluffed the ruffles of her sundress,
but the flicking of her funeral fan
simply sent more sultry air
to slap her face.  The men in ties
tuned up, brows glistening,
peering at the pages through
the thick humidity.  What could
the black spots mean?
She caught a breath as they caught theirs,
and with a nod, bows stroked strings,
growling, prowling, sweetly singing.
She closed her eyes and flew away
on the soaring, sudden breeze.


This door takes me back to Charleston, South Carolina.  Someday I'll return and soak up the heat of the Spoleto USA arts festival...

Monday, December 24, 2012

Merry Christmas

If a picture is worth a thousand words, 
what is the exchange rate for music?

Put them together, and you get 
this priceless piece from The Piano Guys.


He came,

bringing light,

direction,

forgiveness,

healing,

eternal life.

He will come again.



Monday, December 3, 2012

At Etude


 
Object to be Destroyed by Man Ray


One, two, one, two
Piano teacher's watching you
One, two, three, four
Practice that a few times more

One, two, three, four, five, six
She knows all of your tricks
five, six, One, two, three, four
She's pulled them all before

One, two, three, four, five, six, seven, eight
No excuses, now, don't be late
Listen to the metronome:
you always play it better at home!



   

Tuesday, January 11, 2011

The Food of Love



If music be the food of love, play on--
I can't get fat just listening to a song.
But if my heart you truly wish to take,
then sing to me with chocolate and cheesecake!


Monday, May 24, 2010

Piscine Harmonies

Another Magpie Tale
Ding, dong!

Just on time.  Julie opened the door to see a man's legs and torso.  Then a head swung under the door frame, and a large hand extended toward her.

"Hello!  I'm Izzy, the piano technician.  Ah, would this be the patient?"

A petite woman, Julie was accustomed to looking up at people, but this was ridiculous.  How tall was he?  She felt much more comfortable once he was seated on the bench. 

Izzy easily opened the cabinet.  "I assume it has been a while since the last tuning?"

"Yes, a little while."  Julie and her husband had bought the piano from the friend of a friend several years before.  Since the last tuning, they had moved the instrument from coast to coast, left it in storage for a year, and let their children practice their lessons on it for three more years.  By now, even the kids could tell that the F below middle C did not sound right.  Why were Christmas carols always written in the key of F?  They had sounded terrible last winter.  Still she had perendinated, until now. 

Izzy checked out the hardware, then began his diagnostics, a fluent cascade of show tunes.  Julie looked ruefully at her own small hands, wishing they could play those chords, too.  Then she moved into the other room to do some quiet dusting.  She tried to name each tune he played in her mind.  "Moon River," "Singin' in the Rain," "Under the Sea," "I Made it Through the Rain" . . .  Wait.  That was not a show tune.  Was Izzy trying to tell her something?

The notes faded away, and Izzy called Julie over.  "I'm sure you won't be surprised that this needs some serious adjustments.  Has this piano suffered a catastrophic humidity event?"

"Humidity event?"  Every day was a humidity event back in Savannah.

"A flood, burst pipes, something of that nature?"

"Oh.  Not since we've owned it."  Though who knows how many hurricanes the poor instrument had weathered down South.

"Well, the evidence suggests that it has been repaired for that reason.  Considering this piano's likely history, I will need to use some special equipment."  Izzy reached into his toolkit, and Julie expected him to bring out a sophisticated electronic device.  Instead he extracted a small pouch, made of aquamarine watered silk.  Unhooking the clasp, he pulled out several small metal figurines and laid them carefully on the soundboard.  They looked like fish.  Intrigued, Julie sat down to watch.

Beginning an octave below middle C, Izzy played a C major scale.  The figurines immediately began wobbling, rattling against the soundboard.  When he reached that F, one fish flopped entirely off the board.  Izzy easily fished it out from behind the instrument, and started making some adjustments.  Up and down the keyboard he played and tuned, until the figurines were still.  Then he tried a C-sharp scale, again tuning until the rattling stopped.  Julie left the room again, letting the rattling notes wash over her.  D, D-sharp, E, he played every note in every octave, until the strings sounded alone.

Finally the showy tunes began again.  "Somewhere Over the Rainbow," "(The Sun'll Come Out) Tomorrow," "Blue Skies."  The selection seemed much drier this time, and Julie had to admit that the piano sounded much better.  She thanked Izzy for his skilled service, but as he wrote out the bill, she had to ask.

"What are those little figurines?"

"Why, these are Tuner Fish.  They have very sensitive scales."