Monday, October 22, 2012

Holiday Photo Contest

 

So, did I mention my stories will appear in two anthologies this season?  Here's a peek at the cover of Checkin' It Twice & Other Heartwarming Holiday Tales.  It will be released soon, but the website is already up and running, full of information and fun.

What kind of fun?  How about the Christmas Capers Holiday Photo Contest?  The holiday season can be joyful, fun, and a little bit crazy.  Have you captured some of these moments in pictures?  Enter your favorite holiday photos to win fabulous prizes! Check it out here, then come back and tell me how adorable the sample photos are.  Particularly (ahem) the first and third ones in the post.  Go, on, do it.


Thursday, October 18, 2012

Evening at Home

A Magpie Tale
 
Midnight Snack, 1984, by Curtis Wilson Cost


Within our walls, where all is warm and bright,
set aside the troubles of the day;
shut out the threat'ning shadows of the night.

Sing a song, let voices take wild flight!
Fill the air with cheer, keep fear at bay,
within our walls, where all is warm and bright.

Tell old tales of victory through right.
Let safety found along the narrow way
shut out the threat'ning shadows of the night.

Start a silly game, devoid of spite;
laugh as young and old join in to play,
within our walls, where all is warm and bright.

Enjoy the taste of family delight--
scoop up its sweetness, soothing all dismay.
Shut out the threat'ning shadows of the night.

Gather in the children, hold them tight,
kneel together, bow your head to pray.
Within our walls, where all is warm and bright,
shut out the threat'ning shadows of the night.


Family Home Evening is a tradition among Mormons, in which
"a special time (is) set aside each week that brings family members together and strengthens their love for each other, helps them draw closer to Heavenly Father, and encourages them to live righteously." (from LDS.org) 
Because, you know, the family that prays together and plays together will want to stay together.  Give it a try!

Tuesday, October 9, 2012

Tooting my own kazoo


Sing We Now of Christmas
 I'm so excited!  The first of two anthologies to include my work is now available! 

After the success of one Christmas story last fall, I saw Michael Young's invitation for stories based on Christmas carols.  I wasn't sure if I could pull off another story, but I knew which song would inspire me.  Our church choir's main Christmas piece was Mack Wilberg's lovely arrangement of "In the Bleak Midwinter."  I'd heard of the song before, and seen parts of Christina Rosetti's poem quoted here and there, but it was not really familiar to me until we'd sung it over and over.  I heard it often on the radio as the season progressed, and the song became thoroughly entrenched in my mind.

Soon I had the glimmerings of a story.  I thought about it often, but with holiday activities and preparations, and then the family being home during the break, I had no chance to write it.  I must have gone through a couple of drafts in my mind before that magic day in January when everyone was back in school.  I sat down at the computer, stared at the blank screen--and hesitated.  I decided I'd better listen to the song again to really get into the mood.  This time I picked a different arrangement.  Soon I realized that this choir was singing words I didn't know.  Were there more verses?  Finally I looked up the original poem--and was stunned to see how well my story fit the stanzas I had not previously read.  This confirmed my feeling that the story had been inspired by the same divine source that had inspired Miss Rosetti.  It was a gift for me to share with others, and I'm pleased that Michael selected it for his cause. 

Sing We Now of Christmas contains twenty-five story-gifts from several writers.  Some tales are amusing, others more poignant.  All are family-friendly and full of Christmas spirit.  Proceeds from the book will benefit the National Down Syndrome Society, so it is a gift that will continue to give.

For more information, see the Sing We Now of Christmas website, or my Anthologies page.




Tuesday, October 2, 2012

Pecan Pie

 
It Must Be Time For Lunch Now, 1979, by Francesca Woodman
 
 
Mr. Flint grunted as he raised a napkin to his contented lips.  Let his financial colleagues dine at the Waldorf with its fancy French quee-zeen.  He knew where to have a real lunch.  Right here at Mae's, where the best roast beef came with the fluffiest mashed potatoes, the most savory gravy, every day.  And it was cheap.  The place was noisy, packed with humanity, but no one bothered him with telephone calls or messages.  He nodded as the brisk waiter whisked away his empty plate, and replaced it with a thick wedge of pie.  Yes, sir, this was how to have lunch.
 
Using his right hand to make sure the napkin was tucked securely over his starched collar, Mr. Flint reached for his fork with his left.  Somehow it slipped from his thick fingers and clattered to the floor.  He grunted again, but with less pleasure.  He scooted his chair back a bit, leaned this way and that to look for the utensil.  But he knew his girth would not permit him to reach the confounded thing, even if he could spot it.  He raised his hand to summon the waiter, but before he could call the man over, a rustling noise distracted him.  The tablecloth shifted, and a young woman's face looked up at him from beneath the table.
 
"Is this your fork?" she asked, glancing at the one in her hand.
 
"Hmmph.  I suppose, but I'll just--"
 
"I thought I'd pick yours up while I was fetching mine.  It fell, too, you see."  She showed him the fork in her other hand. 
 
"Thanks, but--"
 
"Oh, dear, which is which?"  Round-eyed, she looked between the two identical forks.  "I recognized the Adonis pattern on mine, but yours must be from the same set."
 
"It doesn't matter, I'll just ask--"
 
"No, I must give you your own fork back.  Hmm.  When mine struck the floor, I distinctly heard an A sharp."  She dropped one of the utensils, and hummed a note.  "See?  And when I drop this one--"
 
Flint flinched.
 
"This one sounds like a B flat."
 
Flint shrugged.  "They sound the same to me."
 
"Perhaps you're right.  They are very close.  There must be another way to determine which is which."
 
"Really, it doesn't matter--"
 
"No, you must have your own fork back."  She gathered both forks up, and gazed pensively at the ceiling.  It was really quite odd to see her crouched under the table that way.  "Ah," she exclaimed, raising her eyebrows.  "We were eating different meals, weren't we?  My fork should still have a trace of my salad dressing on it." 
 
The young woman extended her tongue, lifted one fork to her mouth, and licked it slowly.  "Yes, I think I detect a faint tang of bleu cheese."
 
Bleu cheese.  Ugh.  Mr. Flint had not known that was even on Mae's menu.  He began to lose his appetite.  Hoping this nuisance of a girl would go away soon, he reached for the fork in her left hand.
 
"No, no," she chided, shaking her head.  "We must be positive."  She closed her eyes and carefully licked the second fork.
 
Flint's stomach turned. 
 
"Oh, definitely gravy," the young woman announced, offering him the fork.  "This must be yours!"
 
But Flint was already fumbling for his billfold.  He slapped some cash on the tabletop and fled the restaurant.  Perhaps a walk would do him good before he returned to the office.
 
 
Felicia climbed out from under the table, a small smile curving her lips.  She slid the matching forks into her handbag, and replaced the restaurant's fork on the tablecloth.  Then she reached across the small table to the unused place setting, borrowing a fresh napkin and a clean spoon. 
 
She dug into the slice of pie.  She felt the flavors melting in her mouth.  Pecans, still slightly crunchy.  The sweet custard, the flaky crust, and hint of chocolate.  Her favorite.  She sighed with contentment, and winked as the waiter did a double-take.
 
Nothing tastes better, she thought, than freshly conned pie.
 
 

Tuesday, September 25, 2012

Seeing Red


Flying Down (detail), 2006, by David Salle
 
lost his tempera
a tempest in a paintpot
everybody duck
 
 
 

Friday, September 21, 2012

Suburban Safari

Island Lake, by Mary Anderson

Time for a nature walk!
Pencils ready?  March in queue,
observe the local wonders of the world.

See!
the barely rippling surface of the lake
early autumn grass patched green and tan
invertebrates intent upon their tasks
the tufted  sky, a mottled, puffy gray--
and
vivid-orange-clad light bulb changers,
safe in numbers, glaringly aloft.
How many does it take?

Hear!
the dainty paddle of a duck
kingfisher's hunting whoop
a pine cone's fall in the midst of the wood
the murmur of a covert frog--
and
chainsaws in a shouting match
clamoring for dominance
defiantly refusing to give in.

Smell!
decaying water lilies
refreshing, misty moisture in the air
the sharp scent of wild mint
tempting berries hanging on the vine--
or
is it the false fruitiness of sanitizing gel?
Nature tends to soil the hands, you know.
Do not touch!

Wednesday, September 12, 2012

Dr. R

 
Breakfast, 1921, Fernand Leger

Shalom
said the sign on the wall
but I felt no peace
wriggling on the slick beige too-big chair
breathing deep to calm my skipping pulse
blonde hair spilling over the side.

He bent over me
dark hair shorn in short waves
attempting to engage me
amiably asking questions
I couldn't answer
with my mouth full

of his hardy fingers
wiggling, yanking
and, before I could hiccup,
slipping a small tooth into my small hand
having set a slightly larger incisor
free to grow
in peace.


(I thought this scene would replay when my youngest son's first adult tooth arrived out of position.  But his dentist's assistants numbed his gum, gave him a video game to play and sunglasses to wear, and used some mechanical device to wiggle the old tooth out. I don't think Dr. R even wore gloves to pull my first tooth.)


Tuesday, September 4, 2012

Aestivation's End

 
Summer Night, 1913, by Albert Bloch


Vetr and his daughters
step out of their summer chalets,
yawn, stretch,
exchange nods across the valleys
and begin to descend.

They tiptoe and stomp,
gracefully glide or slump down to rest,
leaving a touch of frost here,
early snow there,
across the autumnal landscape.

They may admire the warm-hued leaves
or pity the farmer's harvest,
and spare their chilling touch
for a while.  They may not. 

But they walk along,
change drifting in their wake
as they go south
for the winter.



Aestivation: dormancy during periods of heat and drought
Vetr: Old Norse for Winter